There are parallels and similarities and noticeable differences between the two images, and these can be defined in several ways. Seeking to express this experience, he began writing a poem which ran to thirty-two lines. The poem can be summarised in one sentence.
After much paring and revision, he finally achieved the image and effect he sought: Although Pound would later move beyond this rather limited concept, he retained the essential parts of it, and many of the passages in the Cantos are basically Imagist in their style.
The relationship between the two moments is what creates meaning in this work. They are apparitions, in one place for one moment, and then gone forever in the next. More important, he may have not seen the faces clearly and saw only a blur that he interpreted as a vision of attractiveness.
Inhe moved to Italy; during this period of voluntary exile, Pound became involved in Fascist politics, and did not return to the United States untilwhen he was arrested on charges of treason for broadcasting Fascist propaganda by radio to the United States during World War II.
Please help improve this article by adding citations to reliable sources. In a Station of the Metro Analysis On their own, each of the two sentence fragments that make up this work have almost no real meaning. Thus, Pound takes the two words and morphs them together as one to get a greater effect, meaning that when he witnessed mysterious faces in the crowd with various colors and shapes, it rendered a good-looking sight in his eyes.
The poem contains only fourteen words without a verb therein— making it a good example of the Verbless Poetry form. The brevity of life, the brevity of the Imagist poem.
Words are like Leaves; and where they most abound, Much Fruit of Sense beneath is rarely found. Unsourced material may be challenged and removed. The art form is filled to the brim and beyond with every imaginable idea under the sun, and throughout time, various poets have tried out just about everything.
Ezra Pound photographed in Kensington, London, October 22, Traditions and Revolutions, Beginnings to The poem is essentially a set of images that have unexpected likeness and convey the rare emotion that Pound was experiencing at that time.By Ezra Pound About this Poet Of all the major literary figures in the twentieth century, Ezra Pound has been one of the most controversial; he has also been one of modern poetry's most important contributors.
Dec 06, · Ezra Pound was a rebel and wanted to do things his way in regard to poetry – and so he did. In the introduction of The Norton Anthology of American Literature (Volume D), it states: “Pound first campaigned for. "In A Station of the Metro" is an Imagist poem by Ezra Pound published in in the literary magazine Poetry.
In the poem, Pound describes a moment in the underground metro station in Paris in ; Pound suggested that the faces of the individuals in the metro were best put into a poem not with a description but with an "equation".
Complete summary of Ezra Pound's In a Station of the Metro. eNotes plot summaries cover all the significant action of In a Station of the Metro. Pound uses a brief vivid image to express a.
Technical analysis of In a Station of the Metro literary devices and the technique of Ezra Pound.
In a Station of the Metro – The Poem. The apparition of these faces in the crowd; Petals on a wet, black bough. Verbless Poetry.
As previously mentioned, one of the most striking elements of In the Station of a Metro is that it is written entirely without verbs. The poem is instead formed by combining two sentence fragments, each with a subject, but without .Download